Education | 23 mins | 5+
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
In simple words, this class will teach you how to write a story. You will learn about different elements of a good screenplay and look at different processes that go into writing it, thereby making it a compelling film. This class will teach you to think like a screenplay writer.
In simple words, this class will teach you how to write a story. You will learn about different elements of a good screenplay and look at different processes that go into writing it, thereby making it a compelling film. This class will teach you to think like a screenplay writer.
In simple words, this class will teach you how to write a story. You will learn about different elements of a good screenplay and look at different processes that go into writing it, thereby making it a compelling film. This class will teach you to think like a screenplay writer.
In simple words, this class will teach you how to write a story. You will learn about different elements of a good screenplay and look at different processes that go into writing it, thereby making it a compelling film. This class will teach you to think like a screenplay writer.
In this class, you will learn about character development, an important part of creating believable fictional characters. You will learn what makes for an interesting character and how you can make the audience resonate with them.
In this class, you will learn about character development, an important part of creating believable fictional characters. You will learn what makes for an interesting character and how you can make the audience resonate with them.
In this class, you will learn about character development, an important part of creating believable fictional characters. You will learn what makes for an interesting character and how you can make the audience resonate with them.
In this class, you will learn about character development, an important part of creating believable fictional characters. You will learn what makes for an interesting character and how you can make the audience resonate with them.
In this class, you will learn about conflict, the trials and tribunals of the protagonist. In every narrative, conflict is the key element that provides interest, tension and suspense, while also helping the protagonist transform himself/herself. This class will analyse the importance of this ingredient in a story.
In this class, we will be talking about the structure of a screenplay. The structure is defined as the arrangement of the story elements into a specific order to evoke the perfect response in the audience. It is the chronological design of highs and lows, conflict and resolution etc. in the story.
In this class, we will be talking about the structure of a screenplay. The structure is defined as the arrangement of the story elements into a specific order to evoke the perfect response in the audience. It is the chronological design of highs and lows, conflict and resolution etc. in the story.
In this class, we will be talking about the structure of a screenplay. The structure is defined as the arrangement of the story elements into a specific order to evoke the perfect response in the audience. It is the chronological design of highs and lows, conflict and resolution etc. in the story.
In this class, we’re going to learn how to break the script down into smaller divisions, i.e. scenes and dialogues, and treat each part individually.
In this class, we’re going to learn how to break the script down into smaller divisions, i.e. scenes and dialogues, and treat each part individually.
In this class, we’re going to learn how to break the script down into smaller divisions, i.e. scenes and dialogues, and treat each part individually.
In this class, we’re going to learn how to break the script down into smaller divisions, i.e. scenes and dialogues, and treat each part individually.
In this class, we will learn the last step of completing the screenplay – inserting dialogues. Unlike structure and design, dialogue is the only thing each audience member will definitely notice. It can make or break your film. This class will examine dialogue writing with a few examples.
In this class, we will learn the last step of completing the screenplay – inserting dialogues. Unlike structure and design, dialogue is the only thing each audience member will definitely notice. It can make or break your film. This class will examine dialogue writing with a few examples.
In this class, we’re going to take a well written short film and trace all the different elements of screenplay we’ve learnt about so far. We’ll discuss how everything comes together to form a complete narrative. The example that we’re taking is the first film that Claude Berri wrote in 1964. It is a short film called LE POULET, the chicken.
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
This class will be split into two. The topic will be the hero’s journey and we will be discussing screenplay on a more philosophical level. In this class, we’ll discuss Joseph Campbell’s concept of the hero’s journey, based on the book, “A hero with a thousand faces”. This concept discusses the pattern of narrative or character graph that every lead character is found to follow across cultures and time.
Two friends, Ric Gazarian and Keith King, had heard a great deal about the Mumbai Xpress challenge, one of the top ten adventures in the world as listed by Lonely Planet. When they decided to join it, though, little did they realize that it would turn out to be a journey they would never forget. The challenge takes them on a 2000-kilometer journey in an auto-rickshaw - or tuk tuk, as it is popularly known. They crisscross hills, valleys, beaches, chaotic traffic, and many incredible surprises during this test of their nerves and resolve. Join Ric and Keith on a colourful journey of a lifetime in Hit the Road, India
Our ancient stories and myths are rife with tales of battles between the good and evil, wherein good always defeats evil. However, evil is never truly destroyed. It only bides its time in the shadows, awaiting an opportunity to strike and make its presence known to humanity. The world as we know it is an imagined reality with the ancient evil still present, using human forms to carry out its diabolical plans. Planning a Mahayagya, the descendants of this ancient evil, the Daanavs, are reviving Maya, the mother of all Asuras. Their foul plans are underway - the destruction of humanity their sole purpose. All that stands between them and the destruction of our world is a clandestine team keeping evil at bay. Daanav Hunters chronicles the adventures of Professor Bhagawat and his team whove made it their mission to keep and restore peace whenever these Daanavs surface. With a team of four, Professor Bhagawats team consists of Major Arkin, an ex-army officer and the teams stand-in leader, Professor Gordon, the mad and lovable junkyard scientist, Shoondi, an Aghori outcast who is the living encyclopedia on all things supernatural, and Vanya, professor Bhagawats daughter, who becomes the latest addition to the team. Together they make up the Daanav Hunters and the last hope for humanity.
This introductory chapter will give you a comprehensive overview about the roles of a director and the composition of shots and sequences, framing, pacing, rhythm and different rules of thumb that will help you communicate stories visually.
This introductory class will take you through the screenwriting process and its different elements: Premise, Theme, Story, Character and Structure. You will understand what writing a screenplay entails and the difference between writing a novel and screenplay.
This class provides a comprehensive overview of a cinematographer’s duties and the key skills that he/she needs to possess in order to effectively make artistic and technical decisions related to the image. It covers different types of lights, grips and gears used on film sets.
This introductory chapter will introduce you to the concept of editing and how it developed over years of experimentation. You will also be taken through a practical overview of the process and learn the fundamental ways in which you can transition between two shots.
This class covers the main types of film producers in the industry today and their roles and responsibilities.
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Module 9 - HERO_S JOURNEY-I
