Padosan

The characters of Tagores stories spring into life through the cinematic imagination of acclaimed filmmaker, Anurag Basu in Stories By Rabindranath Tagore.Tagores words and Basus vision have amalgamated into a show that transports you back in time to a world as complicated as this one but with far more appeal and beauty.

The characters of Tagores stories spring into life through the cinematic imagination of acclaimed filmmaker, Anurag Basu in Stories By Rabindranath Tagore.Tagores words and Basus vision have amalgamated into a show that transports you back in time to a world as complicated as this one but with far more appeal and beauty.

In a land where the Emperor reigned supreme, only the selected few would have the power to influence his decisions. Prince Salim was first in line to inherit his father, Akbars throne. Already married to his first wife, Man Bai, Salim was on his way to strengthening the Mughal relations with Rajputana with his second marriage to Jagat Gosini. But amidst the lavish palaces and plush lives of the Mughal royalty, a war was being fought from within. While the kings charted the political climate for the country, the queens ruled that throne at home. Mehrunissa, bright and charismatic, always dreamt of becoming queen and when the invitation came from the pasha begum herself, Mehrunissa joined her team of ladies in waiting. Hereon begins the love story of Salim and Mehrunissa from their first meeting until their coronations as Jehangir and Nur-Jahan. The series interweaves various plot lines from the lives of many historical characters including Akbar, Ruqaiyya Begum, Abul Fazal and many others. Based on the popular book, The Twentieth Wife by author Indu Sundaresan, Siyaasat is a story of politics, inter-personal conflicts, sabotage, grandeur, power and above all else, the love between Salim and Mehrunissa, who was Salims twentieth and final wife.

The Great War is over. Kurukshetra lies barren, sans its great warriors and king, sans justice. The vicious battle saw the end of the unforgettable ‘heroes’ and ‘villains’ of the Mahabharata. The thin line between just and unjust, fair and unfair, deceit and loyalty, betrayal and duty, has never been questioned. The answers to these unasked questions lie buried in the ruins of history. Dharmakshetra resurfaces these buried questions and allows the legendary characters of this tale an opportunity to tell their side of the story for the very first time. In a post-apocalyptic trial, held in Maharaj Chitragupta’s court, the seeming villains ‘Kauravas’ are allowed to accuse the so called heroes ‘Pandavas’ and vice versa, in an attempt to justify their actions. Upon hearing all the arguments made by the prosecution and the defense, Chitragupta delivers his final verdict. As with the original Mahabharata, Dharmakshetra has many intriguing facets for us. On a primary level, Dharamkshetra attempts to ask some key questions about the nature of humanity, while at the same time, it puts together the forgotten pieces of the story we thought we knew.